Australian based filmmaker and photographer drawn to documenting architecture and the built environment.

Australian based filmmaker and photographer drawn to documenting architecture and the built environment.

Dan Preston is an Australian filmmaker and photographer drawn to documenting the built environment. He aims to convey the aspirations of architects and designers, revealing their intentions in his photographic process and cinematic aesthetic, resulting in the documentation of award-winning projects featured locally and internationally.

His film and photography services encompass every aspect of pre and post-production, including editing, color grading, graphics, and sound design.


Clients

Press

Architecture Australia, Houses, Green, ArchDaily, Broadsheet, The Local Project, Est Living, Thisispaper, March Studio - Making, Architecture, Material & Process, Kerstin Thompson Architects Encompassing People and Place, Abitare, Type 7, Vogue Living

We acknowledge the Wurundjeri Woi-wurrung people of the Kulin Nation, Traditional Custodians of the land where we work, and we pay our respects to their Elders.

Memo  /  Formwork

Spring Street

March Studio for Est

Client: Est Living

Architect: March Studio

Location: Naarm/Melbourne, Australia

Year Completed: 2023

Published: Est Living Spring Street by March Studio

With intimate knowledge of the building, the opportunity to restore an apartment to its imagined former glory was too good to refuse. Situated at the northeastern corner of Melbourne's CBD, the site is 28 stories of concrete and brick, a solid 1970s contribution to architecture where materials and structure take precedence over embellishment.

As one enters the apartment, there's a sense that this space is designed not only for living but for celebrating life. Taking inspiration from Parliament Station below, designed by McIntyre and Partners in 1974, the ceiling is clad in lightweight aluminum extrusions. The light and colour of the exterior are amplified by the ceiling, providing an infinite sense of space with little need for artificial light, even during the evening.

With views to the east, north, and west, the focus of the project is the constantly changing expansive horizon. The ever-evolving view becomes the protagonist, with the inhabitants of the interior remaining the audience, looking out to seemingly thousands of willing actors in the distance.

The interior material palette is reduced to concrete, silver aluminum, and brass, with moments of color fitting the era of the original building. Rich Tasmanian blackwood timber paneling wraps around the space, providing warmth and texture.

The bedrooms are a lesson in serenity and simplicity, with beds aimed toward panoramic views down Little Collins Street, while the solid brass bathrooms harken back to the luxury and optimism of a bygone era.

— Rodney Eggleston, Director March Studio